Posted by: joanahamilton on: August 31, 2009
Hi everybody who lands on this page by whatever machinations… if you aren’t checking out my new site, you are missing out on things you are looking for!
So, my suggestion is that you go there and sign up for the RSS Feed to receive blog updates about digital watercolour techniques and my journey as a developing digital artist…. JoanAHamilton.com (it takes only a moment to get there by clicking on this link)
PS (Thank you very much for your interest. More demo’s and tutorials will be coming to the new site soon!)
Thanks,
Joan
Posted by: joanahamilton on: February 14, 2009
This post has been moved to my new website and blog at JoanAHamilton.com
Thanks for stopping by and please go to that site by clicking on the link above.
Posted by: joanahamilton on: February 9, 2009
Birds of a Feather

Copyright Joan A Hamilton 2008
I painted this last spring I believe and found it again when I was experimenting with brushes and textures tonight. I liked it back then and I still do. Maybe someone else will too. It looks like baby birds in a nest sort of. I love the colours and the shapes in it. I used some of the Distortion brushes in this one, but can’t really remember how I did it otherwise. The paper looks crinkly, which adds to the richness and drama.
I think it’s time to go to bed …I’m pooped from all that housework I finally did!
Posted by: joanahamilton on: February 8, 2009
Fruit and Jug On Black Chair original digital painting by Joan A Hamilton February 2009

This is an experiment with colour for me. Unfortunately the screen does not really show all the different colours I used in the background and the end result is a little muddy looking. I added the plum more than two thirds of the way through because I thought it needed a little something to complete the circle of movement and an accent colour to give it a little punch. According to a Color Trends for 2009 article I read on Barney Davey’s Blog these colours will be ‘in’ this year. That influenced my choices only because it reaffirmed that I wanted to use this particular colour palette. The contrasts on the white jug and cloth don’t show up very well here either, but it looks striking (in a nice way) printed on the Aurora Fine Art paper in a black frame.
I am frustrated with the fact that so much of the detail I paint in does not always translate to print as clearly as I want it to. It helps to increase the resolution to 600 dpi before printing, but I’m beginning to think I have to change my style and use bolder and more visible brush strokes and more variation in colour and value. I will be experimenting with that soon.
Wecome to visitors from the UK via DigitalArtShow! Hope you enjoy your little visit to Canada! http://www.digitalshow.co.uk they featured one of my tutorial posts here recently if you are interested.
Posted by: joanahamilton on: February 5, 2009
This demonstration has been moved to my new blog and website at JoanAHamilton.com
Please check it out there and thanks for dropping by!
Posted by: joanahamilton on: September 25, 2008
Joan A. Hamilton, born in 1955 in North Bay Ontario. Most artists describe their love of painting and drawing as having originated in their childhood. I am no exception. I vividly remember being seated on the long bench at our kitchen table with a large box of crayons and a piece of paper drawing Christmas pictures and colouring them. Probably fighting to get the very crayons I needed from my numerous siblings similarily engaged. The scents of Christmas baking are mixed in with these memories, as well as the sense of excitement and new possibilities the season generated.
It’s amazing how many childhood memories are linked to the ‘art’ we did in grade school. From pumpkins to easter eggs and all the seasons and holidays in between. There was a sense of orderliness and ceremony attached to the annual renderings and creations. Presenting your best effort to the world by having your art on the bulletin board or better yet…in the hall was a thrill I can still recall. These art projects that defined the seasons also went on at home. I had older sisters who generously shared their ‘magic markers,’ and bristol board, and encouraged this creativity.
Unfortunately, it was not an interest that I pursued into my adulthood. I did manage to doodle and draw on and off for years, but never invested any time or real effort in it…until three years ago when I rediscovered the joyous feeling of having a new piece of paper and a new crayon all over again with Corel Painter 9.5.
Only this time I have an unlimited supply of paper, and painting tools! This is much more fun than Etch a Sketch, and worlds away from Spirograph, which didn’t impress me much…for obvious reasons!
Posted by: joanahamilton on: September 25, 2008
This is an example of three of my paintings grouped together in one frame. The art is printed on Red River Placid Lite Paper using an Epson Photo Stylus R1800 and the Epson Semi gloss ICC colour profile.
I have other examples of my framed artwork on my website in the Gallery entitled Suggested Groupings. All of my art can be puchased framed and ready to hang in your home, your office or anywhere art could be hung. It also makes a unique and special gift, since my art is soley produced by me.
To inquire about prices and framing options please visit my website at JoanAHamilton.com or email me via the contact form on this Blog
Posted by: joanahamilton on: October 9, 2008
Posted by: joanahamilton on: October 24, 2008
Yesterday’s version Oct.24
Today’s version with darkened shadows Oct. 25
This painting was done entirely from scratch on a blank canvas using the watercolour brushes in Corel Painter 9.5. I used only wet brushes and the digital watercolours on this one to try and end up with a watercolour look. I did not add a watercolour texture as an effect as I found it makes the print colour seem to go browner and blurry looking. Used the Italian Watercolour paper as the paper, but not as an additional effect. I printed it on Red River Placid Lite paper which is a Semi Gloss. I used the ICC profile (for the Epson Stylus Photo R1800 Printer) provided on the Red River Website instead of the Epson Semi Gloss one. I reduced the dye concentration to 94 and 50 % twice to lighten it, and slightly increased the brightness and decreased the contrast very slightly to make the print clearer. I am painting at a much lower resolution than I used to, and find the brushes work better. Usually I use a 200 -300 dpi resolution to paint and sometimes increase the resolutuion to 600 dpi for printing.
When I tried to print on my Epson Radiant Watercolour paper today it kept causing a paper jam. Also had to change three of the colour cartridges today, and I suppose it was just too much to ask! I hope it doesn’t mean that my printer won’t print on thicker papers now. 
This is the sketch with the beginning layers. I started with digital watercolour washes and watercolour airbrushes glazes to build up the colour of the pears and the shadows around them. I used a custom digital watercolour diffuser blender to blend the dig wc (digital watercolour), but did not blend the darker wet airbrush glazes at all. The next illustration continues with this, in addition to some leaky pen brown speckles, and fine tip dig wc work for the blemishes on the pears.
Posted by: joanahamilton on: December 12, 2008

This was painted using the digital watercolour brushes in Corel Painter 9.5. I have been experimenting and working on techniques to mix the paint together more and to get some of the watercolour effects I like so much in it. I’ll post something I did two years ago and you can decide if my technique has improved or not!!

Posted by: joanahamilton on: December 13, 2008
This post has been moved to my new site at http://www.joanahamilton.com/blog/marnie-s-purple-jug-a-still-life-painting-digital-watercolour-techniques-painting-glass-and-fabric/

Posted by: joanahamilton on: December 31, 2008
This post has been moved to JoanAHamilton.com
Posted by: joanahamilton on: January 4, 2009
This demonstration has moved to my new Blog and Website at JoanAHamilton.com
Please check it out there, and thanks for dropping by!
Posted by: joanahamilton on: January 5, 2009
This demonstration has moved to my new Blog and Website at JoanAHamilton.com
Please check it out there and thanks for stopping by!
Posted by: joanahamilton on: January 5, 2009
I can’t believe we actually had to have this discussion. I had to explain to my husband that he really couldn’t eat the last perfectly ripe pear sitting out on the kitchen counter because it is exactly the colour I want it to be to paint it. And …no, buying me a new one tomorrow will not be the same. I guess it will have to join the Christmas chocolates and the cookies my daughter made for us for Christmas in the bedroom/studio! Have to keep my eye on these things (I’m not just being greedy my husband is a diabetic who thinks Christmas goodies don’t count!) My New Year’s Resolution is to not nag him (so much*) about what he eats and what time he goes to bed!
My sister Marie gave me the line. Apparently my other sister Monica (who is a wonderful painter) has frequently warned her not to eat the pears when they have been visiting together.
I like to go to bed at a reasonable hour usually, so I’ll say goodnight!
Posted by: joanahamilton on: January 6, 2009
This demonstration has benn moved to my new website and blog at JoanAHamilton.com
Posted by: joanahamilton on: January 11, 2009


This painting was done last January at the same time my husband had a heart attack. He obviously survived it and had a stent done. I called this piece “You Light Up My Life,” because I really wanted to tell him that at the time. It was a really scary experience as ‘life experiences’ go. After 37 years you get used to having someone around. (I met him when I was 16 and married him at 19 years old while I was in my second year of Nurses training.)
It’s pretty difficult to see a lot of the differences between these two paintings at this size. It was a matter of tidying up the edges for the most part. I have developed some very useful blenders and some of them I use to move the paint around. Some are derived from resaturation of a Blender variant. I’ve been using one lately that I ‘found’ again that I originally obtained from the Painter 9.5 WOW book. It’s called “Oily Blender,’ but I may have changed its properties and not the name. I don’t know what kind of brush it was in the first place because it is a “Captured” Brush. I haven’t done much in the area of creating brushes from Dabs. I tend to stick to wanting to make a fairy controlled mark and have found the seemingly infinite variables of the few brushes I usually use more than enough to try and control. This is just another way of saying I only know how to paint a certain way, and although I know how to do all kinds of neat things with the brushes I still have a long way to go before I can put it to any use in a painting.
Prior to using Corel Painter I have painted with traditional watercolours and acrylics in my teens a little bit. I have used pastels a little more and have been sketching and doodling most of my life. I also played around with Corel Draw 7 and Corel PhotoPaint and became interested in trying to paint with the mouse before I got my Wacom tablet and Painter 9.5. I have the first painting I did this way still. It was a study of a Max Hayslette painting. Maybe I should post that one and then you could really see how my technique has improved! I’m doing this because I want to show you that people who don’t have any training in art or in computers can find working with Corel Painter a lot of fun and very satisfying. Sometimes I think I don’t find ‘painting’ this way odd because I haven’t painted any other way very much. I have been doing it since February 2005, and have spent many, many hours at it. At the risk of sounding completely flaky…I sometimes feel that I have painted the other way in a previous life and that‘s why it seems so familiar and feels so right. I expect my Intuos Pen to drip when I pick it up from the holder sometimes, when I’m really involved in a painting. That’s a weird thing to admit, and it’s probably my overactive imagination creating a scene or déjà vu? Some may laugh and look condescendingly at my efforts and think I’m delusional to call this art and myself an artist, but that’s a discussion for another day.
I cropped a similar section from each version of the painting to try and illustrate the differences more clearly. The first person to spot 25 differences wins a prize!! Lol! There must be a thousand at least. I repainted each pixel! I wonder how many pixels there really are and how many times each one was changed. I don’t waste watercolour paper, but my Wacom tablet is literally wearing out in the centre. I’ve tried moving spots, but always end up back in the middle. I have so many palettes and things open that I can hardly see my painting sometimes. Think it is time to stop… I’m rambling too much!
Posted by: joanahamilton on: January 13, 2009


An Apple for Sue Part of a grouping of Three
You may order by contacting me through this site or my website at JoanAHamilton.com
This painting has been revised. This is a photo of the old version.
Posted by: joanahamilton on: January 14, 2009
This is a small section of a work in progress. I am using the digital watercolour brushes, mostly a simple water and a fine detail water brush. The outline is sketched in a sharp chalk variant which I will blend in at points with a soft pointed blender.
The next Illustration shows the brush settings for the fine detail digital watercolour brush I used as the first step in painting the petals as shown by the red arrow.

The next illustration shows the blending of this area with the digital watercolour blender variant soft round blender and the settings I used.

Posted by: joanahamilton on: January 14, 2009

I’m having a hard time with the stems. It looks easy eh! Just green lines with a little light and shadow on them. I’m still using the fine tip dig wc and a tiny dig wc blender. After drying this digital watercolours you can use the regular blenders and what I call the ’movers and pullers’ to fine tune the light and shadow and the edges. The tricky part is, they are not all the same colour of green and I want the stems to look like cylinders, not two dimensional tubes! This calls for a surer hand when applying the original washes to the stems. Since it’s so skinny, trying to give it shape with blenders alone gets very messy looking. Even after I worked on the ones I did last night, they still looked a mess.
To fix this mess the goal are :
This illustration shows how and why I lassoed this stem to move it around rather than just erase it and start over.

Posted by: joanahamilton on: January 14, 2009
I have added some Italian Watercolour Texture (how to do this is in the Printing the Apple Still Life Tutorial in the Jan. 6/09 blog) to my paper and am using a watercolour airbrush to add some pink glazing to the petal areas. Zoomed in here looks like real paper. I usually don’t add texture during a painting, but I thought I’d experiment here. The wet glazes seems to need the surface texture to stick to.
I have painted the stems for this new section trying to keep it neater and blended cleanly to make the stems look round and not flat. I used the Straight Lines Tool to do some dark green shading on the bottom surfaces of these stems. I had to blend the chalk sketch marks on the canvas layer, so I wouldn’t blend the watercolour layer in yet. So, it’s important not to drop the layers yet. I can’t seem to keep track of them if I start getting more than 4-5 layers open at once. I’ve also noticed Corel Painter has a tendency to crash on me when I ask it to remember too many complex layers. At least, that’s what seems to make ‘it’ happen. Fortunately, it will usually save the open documents in the Recovered File. Make sure you write down what abbreviation they have named the file, or you’ll forget what it was when you get in there! It’s like the wastebasket you are afraid to dump yet, in case you have thrown something important away! I haven’t dumped mine for a year …almost. It’s getting too hard to find stuff in there! I have lost hours and hours of good work enough times that I try to save often. It can also crash and save nothing at all, but that hasn’t happened for a long time. Touch wood*
To be continued…
I will be away for a day or so doing some art marketing. I’ll let you know how it went when I return.
Posted by: joanahamilton on: January 19, 2009
This painting has undergone some very experimental changes in the background. I have scrapped the direction it went in yesterday because it would have been too much to do the whole background the way I started it. I am posting some Snag-It Captures that a show a specific technique anyway because it can be used elsewhere.
These two are before and after shots of some edges tidied up with the Pinch Brush.

BEFORE: Note diffused fuzzy edges

Used the Distortion Brush Pinch to tidy up the edges to give it a crisper, cleaner edge.
Posted by: joanahamilton on: January 20, 2009

This was painted on a blank canvas. It is not a photo manipulation, nor is it created using special effects or filters. It was painted stroke by stroke using Corel Painter 9.5’s digital watercolour, blender, chalk and pastel Brushes. I do use Contrast and Add Surface Texture from the Effects menu to adjust the light and dark and add a watercolour paper texture. It took me approximately four hours to paint it. I was trying to loosen up my brushstrokes a little and get a little braver with colour. It is reduced in size and resolution to post here, so it looks a little blurry.
You can purchase this painting as a Giclée Printout on Archival quality paper Fine Art paper with Epson Ultrachrome Inks Image size – 5″ x 5 “ (other sizes available on website) Unframed, Matless, for $20.00 by ordering it from my website at JoanAHamilton.com OR contacting me by email at joan.a.hamilton@sympatico.ca (via the Comments) * Tax included. Please add $2.00 for shipping. * Matting and Framing options available on my websiteAll in all, I’m really happy with the way it turned out. Which is nice because I was having a terrible time with the background on the Alium Demonstration. Not sure what I’m going to do with it yet. Probably scrap all the stems and redo them because the light is wrong on them and they look worked to death.

Posted by: joanahamilton on: January 24, 2009
It has been a busy week, between marketing my art and producing it. I always seem to be torn between the two. Like most artists, I would rather paint than have to worry about selling it. Trying to find a balance between the two is essential for success.
I have been researching the subject of selling my digital art and have been stymied at times by the fact that my ‘prints’ are the ‘output’ of my original work. There is a great deal of information on the internet about the subject of selling art, but not all of it pertains to selling original digital art. What complicates the issue for me is the question of how to compare it to traditionally created art. A watercolour artist paints a picture and ends up with a one of a kind piece of work. I paint a picture and end up with a digital image that can be ‘output’ to print an infinite number of times and it still be the very same as the first original. Does this make the traditional watercolour more valuable than my digital watercolour? Would mine only be considered as valuable if I only printed it once, then destroyed the original digital image so it could never be printed again? Something in my frugal soul squirms at this idea, it seems like such a waste to me.
Posted by: joanahamilton on: May 17, 2009
It’s not all there yet… but the best demonstrations are posted.
Update August 24, 2009 –Please go to my new site, this one is not being maintained any longer. Thanks for stopping by! Joan
Please Go To : JoanAHamilton.com
Posted by: joanahamilton on: May 16, 2009

This is a cropped section of my new digital apainting Great Blue Heron. To see the whole thing go to my new website. http://www.joanahamilton.com/art/great-blue-heron-10-x-8/
Posted by: joanahamilton on: May 8, 2009

I was trying to give this painting a grainy charcoal sketch kind of look to give the cloth some texture and interest. I started off by setting the paper texture to Rough Charcoal. Then I used the Grainy Water Blender with it resaturated about 10 % with a very pale greyish green to put the darks in the folds of the cloth. This all took many layers in the end because I also added many layer of glazing either with a Simple Water digital watercolour or a custom wet watercolour glazing brush.
The fruit was done in many layers of colour and different blending techniques. The background was painted with a dark sponge over a ligher underground to make it look marbled. The lines were done by lassooing a column shape and increasing the brightness and decreasing the contrast. I think it gave it a more modern touch. I can picture this painting in one of those big fancy kitchens with all the gleaming chrome and sexy lighting. It has a certain minimilism to it that would fit that decor.
This is going to be the first new painting for my new website and blog. It will also be available at ArtWanted and RedBubble (you can get it framed and printed larger than I can print it too!)
Posted by: joanahamilton on: May 7, 2009
In case you are looking for my website at —- JoanAHamilton.com (my ArtSites.ca website) …
It is in the process of being moved to my new website which will be combined with my Art Blog on a FolioTwist site. The URL is http://www.joanahamilton.com/
I will let you know when it’s ready in a few days. I have a lot to copy over … maybe there is an easier way??? Will have to consult my IT tech on the weekend. (“I ain’t never done this before I secretly wail inside … help!!! Man! They sure expect old ladies to learn a lot of stuff these days!! I’m still trying to figure out Twitter!) Just a little aside here: when I was growing up, telling people to stop Twittering, wasn’t a very nice thing to say. It implied the Twitterer’s were being silly and wasting time. Maybe I’m thinking of Tittering! lol! At any rate the connotations are not flattering, perhaps that’s why there are still a lot of people who thinks it’s a total waste of time. In a way they are right, because I know it can be very distracting to get going on it. I have found very interesting things, other artists and people in general that I probably wouldn’t have been exposed to (ugly word, but you get my drift) otherwise. In this increasingly impersonal world it gives us all a voice, and there is no denying, that is a powerful tool.
Thanks for your patience and interest in my art. There is still lots of it on this blog if you want to look around!
http://twitter.com/JoanAHamilton if you want to follow me on Twitter, I’ll post updates on the progress of my new website.
Have a wonderful day!
Joan
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